The translation goes directly to its source on facing pages and does not linger to form an impression or take stock, the result being that the reader with some Spanish is miraculously endowed with an ability to read the great South American poetess in her own words, and that is a point that cannot be argued too strongly.
Strongly drawn to Mistral's work as soon as she discovered it, Le Guin has been working on this translation for five years.Selected Poems of Gabriela Mistral, Trans. Le Guin has published five volumes of her own poetry, an English version of Lao Tzu's Tao Te Ching, and a volume of mutual translation with the Argentine poet Diana Bellessi, The Twins, the Dream/Las Gemalas, El Sueno. The intelligence and passion of Le Guin's selection and translation will finally allow people in the North to hear the originality, power, purity, and intransigence of this great American voice. Le Guin includes poems from all five books in this volume, with particular emphasis on the later work.
These are included in the "Complete" Nobel edition published in Madrid the Poem of Chile, her last book, was printed years after her death. Translations, and even selections of her work in Spanish, have tended to underplay the darkness, the strangeness, and the raging intensity of her poems of grief and pain, the yearning power of her evocations of the Chilean landscape, the stark music of her Round Dances, the visionary splendor of her Hymns of America.ĭuring her lifetime Mistral published four books: Desolation, Tenderness, Clearcut, and Winepress. The reputation of her more flamboyant and accessible friend and countryman Pablo Neruda has overshadowed hers, and she has been officially sentimentalized into a "poetess" of children and motherhood. Famous and beloved during her lifetime all over Latin America and in Europe, Mistral has never been known in North America as she deserves to be.
The first Nobel Prize in literature to be awarded to a Latin American writer went to the Chilean poet Gabriela Mistral.
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